I Joined the Fairy Circus

I Joined the Fairy Circus

Look at my face as a child. Do I look like I was ever suited to a “normal” life?

Obviously, I had to join the circus of life, become a fairground barker, jump on a magic carousel, perform in the Fairy Big Top, and travel with a carnival between the worlds.

Hard Traveling

William, the man who raised me, started traveling poor and hard when he was about twelve. My research indicates that his mom couldn’t afford to feed him, so he left home at age seven to work on a farm. A census puts him on a farm at that time, but not in his mom’s household. This is corroborated by a family member mentioning an “uncle” whose farm she visited as a child. The “uncle’s” name is the same as little William’s employer. There is also a relevant photo.

A census also shows that William (Bill) returned home, where his mother now lived with a new husband and his son. That unfortunate young boy stole milk from his front porch after the milkman delivered it because there was not enough food in the home. He would drink from the bottle and then add water to hide his theft. He told this to his daughter, my cousin, who passed the story on to me when I told her I suspected Dad had lived in poverty as a child.

It appears that young Bill left home again soon, to hit the road at age twelve. This was a common solution if a household had too many mouths to feed.

If my earlier writing about Bill contradicts anything here, it is likely because my research netted new information.

Request: It seems that the expression hard traveling predates its use in a Woody Guthrie song. If you know otherwise, please tell me. The expression is magical to me.

It might seem odd that a phrase describing hardship is magical to me. It might even appear callous toward individuals who suffer—or have suffered—on the road. I am in no way romanticizing hard traveling or otherwise minimizing it. My family history, including my own, is why the phrase is magic for me. I won’t didactically spell out further explanation here. The situation is nuanced, so perhaps explanations require an oral give-and-take dialogue. But this essay explains in part, not didactically but experientially and embodied.

A Witch Raised on Optimism and Descended from Society’s Hedge Rows

I wonder if Dad’s love of music came from traveling. His adoration of music seemed incongruent with everything else about him. He even loved musicals. But perhaps his love of show tunes came from his mother, who was a showgirl.

I descended from people who were on the edges of society, but they were not always what most people would imagine.

I assumed showgirl was the family euphemism for stripper. But later, I saw a family painting that I was told is a portrait of Bill’s mom. Curious, I went online, armed with the painter’s name: W Haskell Coffin. I discovered he was known for painting Ziegfeld showgirls. If the portrait is Bill’s mother, she was probably in the Ziegfeld Follies or a similar group.

That is not incompatible with being poor. Here are two reasons. Many performers experience economic hardship. As in any business, some people accumulate wealth, some people barely scrape by. If she did make decent money, she would’ve been past the age of a youthful Ziegfeld girl by the time she suffered poverty with young William. He was born six years after the Follies began. Her money could’ve run out by then.

I’ve spent decades researching my family history, trying to understand it. I’m not a trained researcher. My conclusions could easily be amiss. I tell the story best I can. That’s the job of a circus barker. Perhaps putting a family history together best you can is a necessity when you come from the margins. There were so many roadblocks. For example, I contacted an organization that archives material on Ziegfeld girls. The person with whom I spoke explained that a lot of material was lost because, after Ziegfeld died, there was no money to be made from the archives, so no one took care of them. Marginalized because of lack of money.

The following snapshot of the portrait isn’t great. I took it without great equipment decades ago at a family member’s home:

(Update: Further investigation suggests this might not be my grandmother, despite the family’s claim and all the time I’d already spent researching the painting. At least it opened my mind to her being a showgirl instead of a stripper. I hope I discover the group(s) in which she performed, and I am still looking into Ziegfeld. Research is a living process; new findings lead to—or suggest—new conclusions. Unfortunately, most people in the know have passed on. Of the few that remain, I only know one who is a reliable source. Speaking of new findings: After I wrote the above part of this paragraph, I spoke with that trustworthy source—e.g., when her source might be unreliable, she acknowledges it. She provided new history: She too was told Grandma was a showgirl. She was also told that Grandma was an actress. She added that it was implied—though not said outright—that Grandma was not well regarded by the family because of her work.)

Another example of outliers in the family: Bill was as close-minded as they come. But as a teenager, I brought home a stranger. He had no place to sleep, was due to enter the Marines the next day, and carried a guitar. I assumed Dad would angrily turn him away. That would’ve been typical of my close-minded, bitter father. But he gave the guy a bed. I imagine it was in part because the fellow was soon to be a Marine, but that the guitar had a lot to do with it too.

Dad, unexpectedly, adored folk music, not just show tunes. After his World War II military stint, he didn’t return from Europe to his wife and kids right away (I wasn’t born yet, but I know the story). He went south and hung out with hillbillies. Had they met as hard-traveling children? Thus far, I don’t know where else this extremely conservative man could’ve acquired a love of folk music. And unless he had experienced it rooted in his life experiences and worldview, he would’ve loathed it in the ‘60s when it was associated with radical politics.

I am 74 years old. Previous generations of my family are long gone. Their deaths impelled me to investigate old newspapers, public records, etc., long ago. That has been and continues to be fruitful and fascinating. I will keep at it to answer my new questions about Bill and the rest of the family. Plus, the family member who I know to be reliable remains, ever-ready to talk. And the beloved dead appear in visions to point out directions I might pursue or even tell me stories.)

More Lineage from Society’s Hedge-Row Edges

Bill was not my biological dad. DNA indicates my biological father likely descended from nomads. A family story: An Indian prince proposed to Mom but she chose Bill instead. I don’t know what the family meant by Indian. Mom aside, the family’s lack of education and abundance of prejudice means family members might have considered various peoples as Indian. Was my father Arabic? Iranian? Or?

Grandma a showgirl, Bill a hard traveler, biological father possibly a royal nomad, and Mom a fortuneteller from a long line of Italian witches. I was grown in the edges—society’s hedge rows. Add that I was raised on old musicals with their fantastically optimistic themes, and I had to become a performer in the Fairy circus of life—a nomad traveling for sheer joy, both the experience of it and the giving of it.

Hard Times Taught Me Unapologetic Joy

I am grateful to know a beautiful joy that you can learn from hard times. It is a joy you learn to nurture regardless of circumstances. It is a pure, untainted joy.

That’s one reason I love the circus. Circus artists focus on creating joy and wonder, whether as a clown or trapeze artist. Their shows embody unapologetic joy.

Run away and join the Fairy Magic Circus, for sheer joy:
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Mysticism and Non-Academic Scholarship

A mystic needn’t be an academic to be a scholar. Why is this idea important? Some people create a magical, fulfilling life based in a non-academically-shaped worldview. We also might want to teach from such an orientation. Our cosmology can be as carefully constructed and extensively developed as any scientific understanding, but many would crush our power by insisting there is only one intelligent way to see, to learn, to study.

Trust your observances made through mystical states, e.g., trance. Trust your non-ordinary modes of perception, like intuition.

I’m not suggesting you blindly believe and act on everything you think you’ve observed. For example, when you have an intuition or receive guidance from spirits, run it by a down-to-earth person who exists on the mundane plane. Non-academic perspectives are as subject to fault as academic insights.

But, luckily, I did not wait until a university validated each step of the many I needed to travel along my shamanic path. I’d have taken fewer steps, losing great joy and fulfillment, not only in my personal life but also because I would have taught less.

Academic validation does happen to me lots, and it feels nice. But relying on it as a way to tell myself or anyone else, “See, I know what I am doing” would undermine my belief in my style of scholarship. An example: Pics of subatomic particle tracks validated what I’d seen in trance for decades. But I’d validated it for myself already. Hence the painting below:ShamanicPhysics 2012-03

Training can be crucial. Just as a scientist studies his “craft,” so have I. I also spent years in trance, 24-7, researching as diligently as any scientist in a lab.

I’m not suggesting you trust yourself only if you do the full-time training or research I did. Mine was needed because of goals I had as a teacher and mystic. Otherworldly reality is innate in us all. Just as many linear-minded non-scientists trust their personal worldview, so should many mystics observe and assess their environments, drawing our own conclusions, instead of docilely following “experts.” I mention my full time commitment only to reinforce the extensive possibilities of mystical wisdom.

Insights I gain through altered states are building blocks of trainings I create. But I don’t carelessly throw something together in the name of Divine inspiration. I spend years developing a curriculum before teaching it.

My fastidiousness does not naysay the observations of someone without training. The psychic realm is as much a part of human heritage as ordinary daylight; we all have insights about it; and they are important contributions to community dialog. In fact, one of my goals as a teacher is to create tools that help people trust their insights and recover their innate mystical awareness, which has often been squelched.

Being a mystic does not deny your intellect. (And too many beautiful, astute, linear minds are used to invalidate somebody’s heartfelt, lyrical worldview.) I know amazingly left-right-brain integrated mystics.

It’s like being a musician. In my last year of college, I supposedly needed more units of logic-based classes to get my degree. But the college president felt that my thirty hours of music theory, which is mathematically based, obviated the need for further logic classes.

When I write a song, channel liturgy, or travel faerie realms for info, my intellect needn’t suppress my efforts. It can weave in and out of my emotive fanciful state, improving my effort. I also might go over what I have created to rewrite, rewrite, rewrite, until I’m satisfied.

In various mystical states, there’s a dance between the two sides of the brain and the heart and soul. Each aspect of you comes forward, adding what it can. All of you weaves constantly, in such rapid-fire succession of ever-changing intertwinings that you might be totally unaware of this complex inner interaction.

At such times, we learn truths that others may deny. We plug into immense powers to control our own destiny. We become part of miracle. Even other pagans may try to invalidate these gains, Goddess bless them, instead of realizing that their approaches and ours can be different without either of us being wrong.

But the things we learn in such states set us free.

This has been a limited view on mystical scholarship. But the crux is: Let yourself be free.

Two Prayers for the Sacred Marketplace

This is a follow up to last week’s blog.

image

I wrote this prayer to help me be the best possible merchant of sacred goods and services. I never say it unless I follow it with “Merchant Prayer to Oxala,” which is below. Context for both prayers are in last week’s blog. But first, the prayer above, in case you cannot see it in its graphic:

Hermes, Mercury, Exu, open the road and gate to my profession today, that I may serve. Open the road and gate within my heart today, that I may serve. Open the road and gate, today, for the person whose needs and goals are well met by my particular shamanic skill set. Guide my day in the divine marketplace, today. Help me be a sacred merchant, today. Help me try and try and try, today, for to be a professional shaman who is well-serving community means to ever be resurrected, both in my private life and daily in my commitment to the market place.

I, personally, almost never pray to Exu without prayer to Oxala. So I wrote an Oxala prayer to say after my Exu merchant prayer. You might recognize phrases and concepts from my past writing, because I’m committed to refining, building on, and expanding on my spirituality. The version of the prayer in the graphic is a briefer version than the text below it:
OXlaPryr1

Merchant Prayer to Oxala

Oxala, please,
help me surrender to you.
Help me surrender to you.
Help me surrender to you.

Oxala, please,
help me know in my cells, each moment, that surrender to you is power and peace.
Help me know in my cells, each moment, that surrender to you is power and peace.
Help me know in my cells, each moment, that surrender to you is power and peace.

Please, clear the roads of obstructions.
Clear the roads of enemies.
Clear the roads.

Please, smooth the roads,
making my passage easy to travel.

Please, help me know in my cells, each moment, that surrendering to you allows me your smooth easy roads along which I can travel in power, peace, and success.

Oxala, you made all creation. Please help me know in my cells, each moment, that, surrendering to you, your power of creation is mine.

Grant me the wisdom that, no matter what I ask you for, I accept the moment I am in—the moment you actually send me—and know it, in my cells, as ideal.

Grant me peace.

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Here’s a description of my shamanic counseling sessions, and you can schedule online: http://www.outlawbunny.com/pastoral-counseling/