How an Empath Can Protect Themselves from Group Discord

If you’re an empath being hurt by a group’s emotional distress, the following liturgy can help safeguard you. The liturgy is also a good idea when you see a group’s emotional uproar on the horizon.

The group could be a family, nation, all nations as a whole, colleagues at your workplace, or other group.

The liturgy also helps provide defense against troubling emotions that an individual in the empath’s vicinity has.

Background:
* An empath is a person who picks up and actually experiences other peoples’ emotions. This experience can be distressing and overwhelming, especially when someone near the empath is having immense rage, terror, or comparable distress.
* An empath can use psychic safeguards to keep those disturbing feelings at bay.
* I believe an empath might pick up terrible national or international ambience—feelings of terror or other anguish. Such a huge group’s uproar can slam into the empath. Safeguards are needed.

I also believe the blows suffered from national or international distress are likely to hit the empath’s subconscious mind. The empath suffers without knowing the source of their pain.

If the liturgy discusses issues that feel irrelevant, I suggest you use it anyway, unchanged, as an experiment. Some things don’t seem useful until you use them. For one thing, the liturgy’s ideas and magics are geared less to how your mind reacts to them, and more to how your gut instincts respond.

Also, I boiled down some of my theories into this liturgy, so this brief poesy covers a great deal of ground, both by implying it and through outright statements. In addition, the best means for conveying my theories was through lyric, to provide experiential learning of the liturgy’s overt and implied ideas.

To use the liturgy, simply recite it, silently or aloud, very slowly, perhaps pausing after each line. The liturgy has two parts, both of which have a title. Those titles, as well as the title of the piece as a whole, are part of the liturgy’s magic, so include all the titles in the recitation.

Empath Protection Liturgy

Part One:
I Repudiate, Reject, and Repel
Invaders and Presumptions:

I am not a dark hole you have a right to fill or to feel.
I am and own the dark emptiness
that is the source of all creativity,
from which springs projects and progeny
I myself—not you—initiate.
My life and soul
—my empty darkness—
are filled and felt by me;
they—not you—are my source.

Part Two:
I Claim My Life; I Live My Life;
I Love My Life; I Myself Fill My Life:

I am and own the dark emptiness,
the originator of all creation and creativity,
the original creation and creativity,
the source of all creativity.
I am the source of projects and progeny I initiate.
My life and soul—my empty darkness—are filled and felt by me;
they are my source.
They are the source of all goodness.

So mote it be!

An aside, which is a theory of mine: one reason a patriarchal culture deprives women of control over their own bodies is it’s an effective way to make women view themselves as mere receptacles for other people to use/fill however they want. Once that idea is instilled, it affects all parts of a woman’s life; she is supposedly an emptiness someone else has the right to fill for childbearing, sex, negative shadow projections, and more. Even when a woman knows better, such a belief can operate powerfully in her on a subconscious level, causing major problems. The feminine void is the original power, but oppressors, not wanting women to know that, try to reduce a woman’s emptiness to a commodity that she has no right to, but that greedy people have the right to use/control. End of aside.
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Dear reader, gaining power can be challenging, but sometimes it can be easy and fun. My book, Baba Yaga’s Apprentice, is an easy, fun read. And it’s perfect for you if you’re empathic, introverted, exceptionally magical, or sensitive psychically. The book has other benefits as well. Check it out: https://stardrenched.com/2017/02/28/baba-yagas-apprentice/

Tree Magic

Tree Magic:
A Ten-Week Druidic Journey with Sacred Trees
for Prosperity, Protection, Personal Growth,
Inspiration, Magical Prowess, and Lots More

This ten-week course reveals simple, quick, effective enchantments for all parts of your life. Learn:

* how to use the magic of twenty trees sacred to the Druids

* the ancient Ogham alphabet and how to apply it magically. (I painted tiny Ogham alphabet letters to put throughout this announcement to bless this event. There is a large Ogham painting of mine towards the top of the post.)

* a wonderfully innovative, effective metaphysical principle that can make all your tree witchery more powerful. I’ll teach you lots of tree magic principles but wanted to mention this particular technique here. I discovered it experientially and then developed it over time. It is natural, easy, strong, and joyful, and is an underlying principle for all my tree enchantments. I can barely wait for class to begin so I can teach it because it’s so happy-making for me.

* how to have a personal relationship with sacred tree magic, including the Ogham alphabet. In other words, you won’t need to rely on books for information because you’ll receive information through direct experiences with tree magic, and you’ll discover how the trees work their enchantment specifically for you, as they wisely honor your unique character and path. You’ll learn a style of tree witchery that shapes itself to your physical, spiritual, and emotional needs. A personal relationship with the trees is joyful. If you already learn directly from trees, this course will help you do it at a whole new level.

Mind you, I will teach you about each tree’s specific metaphysical nature, but I’ll also show you methods for learning directly from trees, so you can continue to gain new powers from them for decades, if you so choose.

Along with everything above, this event is a true shamanic journey facilitating major transformations. These transformations will happen during our time together and probably snowball long afterwards.

Since there’s so much to this course and its journey, at first I wanted this event to take a year. But I realized a few things:

1) Many people can’t fit a yearlong event into their schedules, or pay the fee for a yearlong course.

2) The Gods didn’t want that long an event anyway.

3) I could create a spectacular ten-week event. What a journey this will be!

4) I developed building blocks for journeying with magical trees. During this intensive, we’ll use them, so they’ll be in your magical repertoire when the ten weeks end. Then, if you’re like me and want to continue journeying with sacred trees over the decades, you’ll have those building blocks, that foundation. I love offering that to you.

To pack everything in, this event has four powerful aspects:

One) Ten lessons, one per week for ten consecutive weeks. Lessons are via group phone calls. To participate, just dial your phone.

This is old-style oral tradition, which allows immense headway quickly. Enrollment limited to 16 people, so we can perform traditional Faerie spells that can only happens in a small group, and so each participant can receive individualized attention if they want it.

Two) Direct spiritual transmissions during meetings help make lessons powerful and safe, further your personal growth, and grant good luck. The transmissions also kickstart your magical prowess or bring it to the next level. They do the same for your mundane powers.

Here’s a quick definition of direct spiritual transmissions. I can’t tell you what it means for other practitioners, but in my case: I was born a good luck charm who automatically generates a field of energy that provides the benefits outlined in the previous paragraph. As such, I don’t do anything to you; I don’t inject you with energy, rearrange your energy, or even dust off your aura, LOL. I simply give off an energy during a lesson, the same way burning incense gives off a magical energy in a room.

Three) Twenty-five pages of digital handouts ornamented by my original full-color talismanic art. This witchy artwork adds further power to your journeying, both during the course and after it is over. These pages make a beautiful addition to your personal Book of Shadows.

Four) In addition to individualized attention during class, I’m available outside of class for one-on-one time by phone, should you need to privately discuss any class material or your personal issues using it, or you need support because your commitment to doing assignments falters, or you have other concerns. Private dialogue can happen after the course ends; it is important an oral tradition teacher be available one-on-one even long after a course ends; I commit to my students.

No experience needed. But even advanced practitioners will enjoy this course.

I’ll be leading two separate groups. One will meet Sundays, noon to 1:00 EST, starting February 3. The other will meet Mondays, 6 to 7:00 pm EST, starting February 4. Both groups run for ten consecutive weeks. If you choose the Sunday group, reserve Sunday April 14, noon to one, for a makeup meeting, in case I’m unavailable for one of the planned sessions. If you choose the Monday group, reserve Monday April 15, six to 7 PM.

Tuition is $354. Your carrier might charge you for the call. Pay securely with PayPal. Choose from two payment options:

Option 1) Use the Pay Now button below to pay $354 now. No PayPal account required.

Immediately after payment, email me to say whether you’re choosing the Sunday or Monday group. Or tell me in the reply field below this post.





Option 2) Use the Subscribe button below to pay in two installments: $177 now, followed by an automatic $177 payment a month later. Payments appear on the credit card associated with your PayPal account.

Immediately after subscribing, email me to say whether you’re choosing the Sunday or Monday group. Or tell me in the reply field below this post.





Once I know whether you’re choosing the Sunday or Monday group, your place is reserved. You receive course details—e.g., the phone number to dial to participate in the meetings—by email. No refunds. If you need more info, or want to discuss another payment plan, trade, scholarship, or semi-scholarship, call me: 814-337-2490.

The course’s approach to tree enchantment is unavailable elsewhere. Though you’ll learn traditional lore when relevant, a great deal of what you’ll receive isn’t the easily available traditional material, but is what I learned from the trees themselves—in direct experiences interacting with the druids’ sacred woods—and from the Goddess, combined with past life memories as a druid, my channeled information, and sensibilities from my family tradition. In my family tradition, I was raised to be a creator of new material. I call my approach Fey Druidry.

I don’t expect to offer this course again for at least another three years. And I turn 70 this year so, if you’re planning on studying with me, now’s the time. Yay!

The Figa

The Figa
Reclaiming Women’s Power and an Italian Amulet

FigaPic2Sm

A figa is an amulet in the shape of a closed hand. Often, the tip of the thumb peeks out between the middle and index finger. The figa represents a woman’s genitals and is a charm for protection and good luck. It is also a talisman for fertility.

Even as a youth, I was drawn to the figa, not only as a talisman but as an archetype. It held tantalizing mysteries, and its antiquity and exotic roots were a delicious contrast to the American 50s bland norm.

I acquired a new figa recently, and shot the above photo, so you could see it. Isn’t it beautiful? I absolutely love it!

I purchased my new amulet here; the shop has more, each one different: https://www.etsy.com/shop/ErikasCollectibles

I’d already had a figa for … hm, I don’t know how long. It could be 30 or 40 years, or far less. I don’t remember how I acquired it. I was raised in an Italian, shamanic family-tradition. Otherworldly sensibilities were so typically present in our home, a part of daily life. A figa could slip into my life seamlessly back then, the entry not as noteworthy as it could be for people who aren’t constantly surrounded by that sort of thing.

Yet, despite my familiarity with Italian folk culture and my intense draw to this charm, I rarely saw one that I thought beautiful. I was never fond of my old figa, had wanted a new one forever, but couldn’t find one that pleased me till now.

My finally liking one is significant to me as a woman. Read on to learn why.

Seeing my new figa, which is very feminine, sweet, and elegant, I realized by comparison why I’d rarely liked a figa in the past. For one thing, they’re usually quite macho. An object that is supposed to embody female sexuality should … embody female sexuality.

Plus, figa figures are often crude. The crudeness repelled me, though on a subconscious level until I saw my new sweet, elegant figa. The crudeness—again, I experienced this subconsciously—was like being slapped in the face, shamed for being female.

Instead, I adore my new charm. Its sweet, feminine elegance is powerful magic and significant healing.

I was blown away by the shop’s photograph of this piece. And I did my best when I took the photos for this post, but it’s even better to see it in person; its exquisite artistry almost took my breath away. The careful sculpting of an elegant, feminine hand, enhanced by the marbling of its resin, makes it a true treasure.

It triggered a train of thought. The charm must not only be an Italian folk symbol for female sexuality per se, but also imply lot more. The figa must have originally symbolized everything—everything—a woman can be if she is unbound; her full being realized and expressed. The amulet must have once represented this totalness of being and potency in all parts of life. Otherwise, I do not believe the charm would have become so incredibly popular. It is worn not only by Pagans but by many Italians, including Christians.
FigaPic1SmBe clear, when I write, “Everything a woman can be,” I’m implying everything a human can be. I am positioning a woman’s sexuality as potency, the same way a man’s sexuality is often viewed as potency in his business and all other parts of his life.

I love folk art, folk magic, and the place where the two intersect. I also believe one might better understand a piece of folk art if one knows the cultural norms prevalent when the piece was made. That includes pop culture. Enter Kenneth Lane. The figa I bought is a vintage Kenneth Lane.

What was occurring around jewelry designer Kenneth Lane when he had the urge to create a figa that would be neither vulgar nor shaming? What in the political climate impelled him? Or did something solely personal to him serve as motivation? (The political always impacts us personally, but you know what I mean.) Whatever it was, we owe him a debt.

I mean, “figa” is Italian for the demeaning term “pussy.” The styling of most figa figures reinforces that nastiness. I do not object to a figa shaped roughly in a spirit of exuberance, or if a limited skill set did not allow finely honed lines. What I oppose is the consistent vulgar representation and the overall gestalt it feeds, a deeply hurtful cultural norm.

By the way, I see nothing wrong with a masculine figa per se, but there’s something wrong with a feminine symbol generally being masculine.

In any case, Kenneth’s jewelry was popular with Hollywood stars. Although many Pagans wear a figa, the pendant is also popular with non-Pagans. So people can knock pop-culture all they want, but I bet Kenneth’s pendants made women of all kinds proud of being women.

Kenneth’s styling was powerful. It wasn’t until I saw it that I could understand by contrast how demeaning most figas are and reclaim another part of my power. His rendering of the figa was able to heal me from a cultural norm so deeply ingrained and horrible that it still hurt my soul despite my fierce pride in my female nature and witchy wildness. I have a new piece of my magic as a woman and a new piece of my womanly pride.

What had been a sacred image in ancient Rome lowered in value until it became used as a rude gesture. A symbol that once must have honored women came to denigrate them. I believe Kenneth helped change that. I hope my thoughts here help a bit, too.

The profound power that exists in every human is diminished when we reduce anyone’s power through shaming depictions.

But when we shine a light on the wonderfulness of those around us, our own powers shine.

… Now the only problem I have is how to stop myself from buying all the figas in the shop. There’s a gorgeous variety, each piece quite different. I’ve already bought a second one. Here it is on my altar:
FigaPic3SmI will treasure these figas always. Here’s where to acquire an outstanding charm: https://www.etsy.com/shop/ErikasCollectibles