Do you like any of these pics?

My upcoming project—a two volume Book of Shadows—shares my journey as a witch, including a few photos of me from my scrapbook.

It’s hard to choose pics. I can’t be objective.

My community helped choose from photos I already posted, which was really useful. Thank you again!

These are 1997 pics of me in ritual garb. Susanne Kaspar—a professional photographer—took the pics. Should I include any in the books? If so, which ones?

I’m not asking your opinion about other people’s possible reactions. I want to know which you personally like, if any.

Each pic has a number above it, so you can tell me by number which you like.

They’ll be crisper and clearer in the book.

Thanks again so much!

(Yup, these pics were taken the same day as the photo on Be a Goddess!‘s back cover.)

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Number 5:
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Which photos for my book?

My upcoming book shares my journey as a witch, so I’m including a handful of photos of me at different ages. Here are pics from today. I thought photos of me when I’m close to finishing the book would make nice memories for me.

Would you like any of them in the book? Which (Witch?) ones? Would love your input.

I’m not asking your opinion about other people’s possible reactions. I actually want to know which you’d personally enjoy in the book.

At age 66, it’s interesting looking at photos of myself that I’ll release publicly. My young, dewy beauty long gone, all that is left in the photographs is who I am inside, for all to see. And for me to face and embrace.

Examining these pics, I am content. I see in myself an elder shaman, a wild wanderer traveling between atoms, and a loving, mystic fool who still enjoys life. Whew!

Each pic has a number above it, so you can tell me by number which you like.

I think they’ll be crisper and clearer in the book.

Thanks so much for your support!

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Number 4: July2016FDG4

Number 5: July2016FDG5

Traditional Shamanic Culture and Business

Rosmrta

Did you know ancient Celts had a goddess of marketing? Or that their shamans charged for many of their services, as did ancient Native American shamans? Did you know ancient Mesoamerican merchants traveled to find sacred goods?

Shamanic culture once brought the sacred into commerce, in a way we desperately need today for two reasons:

1) It will allow us fulfilling, loving, profitable work.

2) It can help stop the immense, worldwide suffering caused by callous business practices.

The division of sacred and profane in the marketplace strikes at the core of human rights, Faerie witchery, and happiness.

As a witch, I’m part of a long heritage of magic used as a tool to free people from oppression. As long as the marketplace is driven by profit to the point of callousness, instead of by an ethical focus on being of service, results will remain tragic.

So I developed innovative theories and methodologies that provide a missing piece of witchery—a shamanic approach to the marketplace. I teach it in my new book:

A Sacred Marketplace:
Sell without Selling Out or Burning Out.
Mysticism + Marketing = Sales.

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The book is two pronged in its benefits:

1) Many ethical, loving people have special gifts they want to bring into the marketplace but are stymied because they can’t figure out how to maneuver the insanity of our current business world.

These folks include artists, psychics, coaches, and others in alternative fields. Also included are people whose heartfelt dreams are less obviously special—e.g., you can make cosmetics in a loving way.

A Sacred Marketplace shows good people ethical ways to thrive in business. The book teaches

* easy, powerful, ethical marketing

* my personal philosophy of life, which is shamanic and spells out why it is moral to earn a living doing what we love and how doing so is vital to the well being of all Gaia’s children

* shamanic exercises to help you actually live that philosophy and develop personal traits for career success

2) The other benefit: if these good folks were in business, their sheer presence would help shift our business world into one where people matter more than profit. These loving practitioners would not have to do anything other than be present in the marketplace.

More talented good-hearted people in the world of commerce will—without these individuals even trying to do so—automatically transform the dominant business paradigm for society as a whole, from corporate, uncaring greed to loving concern for the individual.

I’m delighted I was able to create this book’s material. I am proud of my work in a way this society tries to squelch. Be proud of yours. Enter the marketplace with your special gifts and be prosperous. In the process, you’ll make a better life for everyone.

I care about you, so I beg you: do not wait. Great endeavors start when someone says, “I’ll do what I can.” If all you can manage is reading two minutes once a week, and you have no time to analyze what you read or to apply it, that’s a legitimate start. The book is Third Road shamanism, which means you absorb on a gut level, just by reading. Do it. Click here for A Sacred Marketplace: http://www.outlawbunny.com/2015/10/15/a-sacred-marketplace/

Fey Witch

This is excerpted from the two-volume Third Road Book of Shadows, available here: https://stardrenched.com/2016/10/01/book-of-shadows/

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ScrollBarHI am a fey witch. Magic is my heritage and my salvation. I will not be deprived of it. I will remain ever immersed in the magic that flows through the entire cosmos.

This subtle current dances about me all day, even in my sleeping hours, empowering me and making me whole. It heals me, delights me, and celebrates me. It relieves me of my pains, doubts, and flaws. It removes obstacles.

Oppressors deny magic, lest we use its ever available power to live wild and free, with direct access to Deity and the gifts Deity bestows, independent of dour religious institutions and oppressive societal hierarchies.

But magic is real and a Goddess-given right. I would go further to say magic is a living aspect of my Goddess. No one will rob me of my Goddess and Her power. I live in magic.

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In the two-volume Third Road Book of Shadows set, the above prose-poem is ornamented with more detailed art than I could post here if I wanted this webpage to load in less than a decade.

But the graphic at the top of this post is part of the art in question. And I made the little graphic at the side especially for this post, because I love ya!

Did you enjoy the post? Get the book set here, available only from the author: https://stardrenched.com/2016/10/01/book-of-shadows/

Magic Is Sacred

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My beloved witch,

The Goddess blesses your rituals. I wrote/painted the above picture-poem as the third and last meme in my mini-series about the sacredness and beauty of witchcraft.

The previous two memes are here and here.

(All three memes blurred a bit, because I shrunk the files so their webpages would appear quickly for you.)

I call them poems, though they could be viewed as prose. To me, they’re poems or prose-poems, both in that they are lyric and evoke magic.

I believe one of my jobs as a bard is to evoke magic. I’ve not seen that description of a bard in a historical text, but I know in my bones and past life memories that the Gods choose some bards to create ritual aka bardic poems.

My class lectures are sometimes lyric and other times straightahead prose, but on some level they are still my concept of bardic poetry.

Are you a bard who creates ritual? Or were you chosen to do bardic work other than ritual creation? We all are given such different jobs by the Faerie Queen.

I combine words with art to further the experience. Even when I first started teaching shamanism, class handouts sometimes had my calligraphy and artwork, though they were far more primitive than they are now. But I feel that extra effort added blessings.

I make memes like this not just for my site but also as Book of Shadow pages for myself and students (aka handouts). I’m fascinated with painting borders around my words to add magic for Book of Shadow pages. I even had to paint a border for the newsletter button below this post.

… Oh, if you wonder what the newsletter button has to do with Books of Shadows, bear with my following explanation, since at first it may seem to have no relation to the topic:

Ok, to me a Book of Shadows page points to your day and how you can live it magically. In the same vein, I teach oral tradition—which the written word cannot convey—and you only grasp oral tradition when you use its lessons by living magically in your day. So, in the final analysis, your day is your ultimate Book of Shadows, because it is your life that holds the most magic, not any text. Your life is the real ritual, not the words on any page.

And my newsletter is a doorway into that oral tradition, because it announces upcoming classes. So I can think of one of my newsletter buttons as the front cover to a Book of Shadows. So mote it be.

Since I view life as the ritual, it might seem contradictory that I work hard crafting my words and visually ornamenting them. But I want my pages to be really good pointers to the magic available in the world around us, so they can help me—and hopefully other people—see how to live a day magically. I believe that is why Goddess gave me gifts with words and art. Blessed be.

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Lady Olivia Robertson

Interviewed by Francesca De Grandis

Lady Olivia Robertson is one of the pagan leaders I’ve most admired (discussed in my blog Meeting Lady Olivia Robertson: https://stardrenched.com/2013/04/17/meeting-lady-olivia-robertson/ )

My deep love for Olivia led me to interview her, to help share her wonderful message. The event was recorded in my home in the early nineties. However, life intervened; the tape languished for two decades. I’m finally able to share it.

Technical Notes: If anything Olivia says in this post offends you—e.g., it is inaccurate—blame me. Maybe I transcribed the interview incorrectly. I have not finished transcribing the entire recording—thus far, it is 3500 words, even edited. I am posting it in parts as I get them transcribed and edited. There are a few more bits I should have cut, for clarity’s sake or the like, but if I delay posting until I have time for more cutting, there might be another decade’s delay. A fact check is in progress re spelling of names that I could not fact check myself.

Some of the interview is a lovely retrospective and awesome history.
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Part One

Francesca De Grandis: Tell me about your recent travels. You’ve been to several places in the US, to Japan, where else?

Lady Olivia Robertson: Well, it’s very exciting. Now Fellowship of Isis is getting on for 15,000 members in 90 countries, and these people correspond, we have postal courses and, in the end, they want to meet each other. So we have conventions and conferences, and the first one I did in Ireland, naturally, I had our own ceremony in September. And after that, I went to London, where we had a marvelous convention in one of the most beautiful Jacobean houses in England, called Charlton House after Charles I. It was built for Henry, the Prince of Wales, who must have been Pagan, because they have nothing but carvings of nymphs and satyrs…

FDG: Oh, I’ve been there! It’s in London?

LOR: Yes.

FDG: : Oh, it’s beautiful! Even the banisters and along the stairs, aren’t there wonderful carvings?

LOR: And the fireplaces and everywhere, yes! So our convention, which was about our seventh, was held in the library on a sunny day, so we could lie out under the trees in this beautiful garden. Then I took a Virgin Atlantic flight (which I liked very much) and floated over to New Orleans. There we had a very dignified venue at the campus of the University of New Orleans.

I want to emphasize that we have some witches, some Catholics, some Protestants, Buddhists, Hindus—you name the religion, and we have it. We actually had two Catholic priests, one who gives his name and the other doesn’t. But the point is that we accept all religions as feminine. In New Orleans, there was a more cultural and artistic line, but they had some jolly witches who gave us a party afterward.

Olivia in her drawing room. Click to see more clearly. I cannot give photo credit. She sent me this snapshot about six years ago, with a note in its back, "The drawing room, remember?," which was her usual very sweet self.

Olivia in her drawing room. Click to see more clearly. I cannot give photo credit. She sent me this snapshot about six years ago, with a note in its back, “The drawing room, remember?,” which was her usual very sweet self.

Then, I went back to this wonderful Isis Oasis. Now, Isis Oasis is interesting because we’re now a legal religion in the United States through this Temple of Isis. We’re not pretending to call ourselves the “Church of something-or-other” because Isis is 6,000 years old, and Christianity is only 2,000. So I don’t see why we should have to pretend to be a church. And this is a Temple of Isis, where we don’t have “women priests,” we have “priestesses.” We have about 600 priestesses. We have priests as well, of Isis or whatever aspect of the Divine Feminine they wish to represent.

FDG: 600 priestesses, and how many priests?

LOR: I’m not sure, really: I have my figures at home, but the 600 includes priests. We have about 650 ordained people now in the priesthood. I ordained some in New Orleans while I was there—it was lovely—both priests and priestesses. Then I did the same at Isis Oasis. Now, that has been very generously donated by the Reverend Loreon Vigne, Priestess Hierophant of the College of Isis, to her Temple of Isis. So, really, it’s the first Isis land in America. You know, you have all these other religions having land. This 10 acres of land includes a temple, which is small, and a wonderful theater with full colored lights for ritual, which holds about 100 people. She can put up about 60 to 100 people there. There is a wildlife sanctuary for endangered species—lovely ocelots.

FDG: Her sanctuary for endangered species is special to me because, amidst all those animals, are peacocks. They are sacred to me. Loreon lets me make friends with her peacocks.

LOR: Yes, you can. And her sanctuary’s a good thing now, because some animals are dieing out, but she sells them, and some are re-introduced into the wild, whatever is necessary that can be done for them. And it’s a very, very happy retreat center: There are all these places—you can sleep in a pyramid, or sleep here, there, and everywhere. It’s a wonderful place for a convention. We had the famous Luisah Teish, who came, and Mary Greer, who wrote Women of the Golden Dawn. I’m so old —I’m 80 now—that I knew W.B. Yeats and AE and all. When you’re 80, you don’t mind saying it. I can dance and travel, and just do anything I like. I don’t feel any different from when I was young, which is very nice. When I lived in Dublin, we had a house there and we knew Yeats and that whole lot.

In Part Two, Olivia discusses visits with William Butler Yeats.

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Hiding, Healing, Power. Pt 2

If you missed part one, here it is: https://stardrenched.com/2012/06/13/hiding-healing-power/

Faerie art, Francesca De Grandis

Hiding - Fey Strega in Training

Hiding, Healing, Power. Part two
Written and painted in March and/or early April, 2012.

This little Italian girl is another example of someone hiding. Why do you think she is hiding?

Dear site visitor, I want you to see the Faerie tale illustrations at their best. When WordPress shrinks a pic to fit the page, it blurs. Please click on a painting to see it unblurred; it makes a real difference.

Everyone who hides has a story. What is yours? It is okay if you hide some of it.

Here is part of hers (she wants to hide the rest): When she first hid, she had a pretty place in her mind. She started building it. First, she made the window frame you see her peeking out of.

She lived behind it with her Faerie cat. She giggled there a lot. The cat dozed in brilliant shafts of sun light that came through the window. As she slept, she dreamt up schemes for the little girl. They had many adventures, and no one saw. Except other Faeries. So many giggles!

It took a long time, a lot of work, and a lot of hiding to build more. (Sometimes you hide to find quiet magic, so that you can even imagine secret places in your mind.)

For years, all she had was that window frame to hide behind. But it kept her safe. I mean, look at all the detail she put into it!

Little Bunny in a Tea Cup. Available as a limited first edition print. For more info, click on the picture

And by the time she had grown up, her home was finished.

Faerie art, Francesca De Grandis

Want to know what adventures she had as a grown up? I’ll post part 3 in two weeks here. I blog once a week, and am alternating between this blog and the blog at my other site. Two blogs with two separate RRS feeds.

Please use the nifty Facebook, Twitter, and Google+ buttons, right below, to share my Faerie tale. Thank you for your support, it’s the only way many folks will know about my new story and refurbished site (the site you are on has been updated lately with a new look and all sorts of other new stuff).  I cannot do it without you! If you do not see the buttons, you’re viewing this blog entry on my site’s home page. Just click this https://stardrenched.com/2012/06/27/hiding-healing-power-pt-2/