Tag Archives: Faerie

Notre Dame Is Burning

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As devastated as I feel about the fire, I also have feelings at the exact opposite end of the spectrum.

I didn’t know about the cathedral fire, until I received an email that happened to mention it. The friend writing the email was grief stricken and hoping the stained glass would not be destroyed. I checked online for more info. Good Gods!

I felt terrible grief and started to express that in response to the email, when the phone rang. It was one of my shamanic students. Before discussing my upcoming class in Faerie Druidry, she mentioned her sadness about the beautiful art in the church being ruined, specifically the same window that was mentioned in the email.

I have the same feelings about the art. Plus I have a special memory of visiting that church years back. Very special.

Despite being devastated by the destruction of Notre Dame’s beauty and by losing a piece of my own personal history, I have other feelings that are at the opposite end of the spectrum. The following information is from https://www.eutouring.com/facts_notre_dame_cathedral.html: “The Cathedrale Notre Dame de Paris is often affectionately referred to as The Forest because of the many wooden beams that have been used in its construction, and each of the beams came from a different tree, many of which were around 300 to 400 years old.  In fact this building is made up from 1,300 oak trees that represents approximately 21 hectares of forest.”

That cathedral required acres of trees being wiped out to support so much stone masonry.

During the phone call, I was hit with a past life memory. They chopped down my sacred groves, to build yet another church on a sacred Pagan site. They killed ancient living beings to create a monument solely to their own egos, for no God would have exacted praise that cost those oaks. 

So, even greater than my immense grief is the jubilant cry in my heart “Let it burn!”

Winter Ceremony

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Moving into the Quiet Core of Winter’s Joy and Beauty:
A Seven-Week Ritual Group,
Centering You into Your Power and Essence

Miracles become commonplace, when your magical and mundane powers and essences come forward. Dreams impossible to fulfill become viable. Major insurmountable problems, both inner and outer, give way to a miraculous improvement. A success you’ve achieved is followed by even greater successes.

Spending a big chunk of my time on mystical practices can be the thing that creates what’s described in the above paragraph. And, though I can’t always apply my shamanism anywhere near as consistently as I want, my attempts to do so still cause major triumphs.

Though I do need to attempt consistency with shamanic practices, they don’t always have to be difficult or serious. Winter months have subtle Faerie gifts that make shamanism easier, and I’ll show you how, in this seven-week ritual. No need to always be struggling to cope or grow. During our meetings, which will be peaceful, revitalizing, and individualized to participants,

* Enjoy quietly whispering wintry magics that help manifest what you need inside and out, on both the mundane and spiritual planes.

* Create a successful winter and year ahead, as we travel into a lush hidden realm—the heart of reality; the starlit center of Goddess power—where we can manifest miracles.

* Be immersed in a peace that provides mental, emotional, and psychic clarity. We’ll draw on wintertime’s intrinsic ability to root us in the core of our own being and Gaia’s rhythm.

* Receive direct spiritual transmissions that foster good luck, physical health, and spiritual wholeness.

We meet via group phone calls. To participate, just dial your phone.

The ceremony is without prerequisites and suitable for both newbies and adepts.

I’m jazzed that this group’ll happen through the absolute darkest part of the year! Doing this rite at that time is sooo relaxing and powerful.

We meet seven Thursdays, 3:00 to 4:00 PM EST, starting December 6. The Thursdays are consecutive, except we’ll skip Thursday Dec 27 and Jan 3, for the U.S. holidays. Then we pick back up on January 10, continuing through till our culminating session on Jan 31. Reserve Thurs Feb 7, same time, for a makeup meeting, in case I’m unavailable for one of the planned sessions.

Enrollment: $250. Your carrier might charge you for the call. 

Click here to enroll securely using PayPal: http://www.outlawbunny.com/special-events-registration/

Upon receipt of payment, your place is reserved, and event details emailed to you. No refunds.

If you need more info, or want to discuss payment plan, trade, scholarship, or semi-scholarship, call me: 814-337-2490.

Blessed be the lushly beautiful witch-powers and wisdoms residing deep within the winter and ourselves.

Bar1

The Most Important Magical Tree

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The Most Important Magical Tree
Are artists and shamans faithless, committed to the moment and nothing else?
Sept 21, 2018 (Fall Equinox)

I fall in love with every bit of wood that I craft into a talisman.

As I’m sanding, doing pyrography, and otherwise working with a piece of wood, I start to realize how special it is.

A lot of the time, mind you, I see how marvelous it is to begin with but, oh, when I work in depth with it, I become enamored. When I strip off a layer of bark, nuances emerge. As I sand, the grain shows more and more. When I tenderly apply a beeswax finish, the wood’s mystical powers electrify my fingertips so I come to know both those powers and my skin.

It is through such thorough interactions that I understand wood, other people, the Gods, the emptiness from which of all creativity springs.

Often, the process of crafting a morsel of wood sends it and me into another world, where we rebuild Faerie.

Here’s that piece of wood when I first started working with it:

The sort of pyrography I tend to do is challenging to execute on some woods I use. Perhaps that’s because, unlike birch and basswood, which are the pyrographer’s staples, many woods that visit me tend to be ornery about pyrography. The wood-burning I usually see folks do on these woods is minimal and straight-lined—e.g., a solo rune or pentacle—whereas I attempt designs that are, by comparison, complex and detailed, and that include spirals, twists, and swirling flourishes.

Each difficult wood I pyrograph might have its own way of being ornery. Once I’ve figured out what will work on that type, it won’t necessarily work on another. I have to start figuring out a new way all over again. But determining how to pyrograph whatever wood is in my hand is giving me an understanding of the tree the wood is from, how different it is from all other trees. The realization that it would be too difficult to pyrograph more than a simple ogham or the like on some woods would be equally informative about the nature of the tree the wood is from.

From the toil that arises from committing to work with the wood as it is, from such thorough interactions, I can better understand that wood and do a better job serving it. When acting as a shamanic guide, the toil that arises from committing to work with a client as they are, such thorough interactions, allows me to better understand that individual, and thus do a better job for them. Such thorough interactions foster relationship. I fall in love with my clients.

My analogies between woods and clients do not extend to the orneriness of some woods. My clients aren’t ornery. I must have the easiest clients in the world. I wonder why the Goddess sends me ornery woods and easy students.

When I see what pyrographed design the wood in question will allow, that is part of my falling in love. The more I work with a piece, the more I adore it.

I am eternally fickle, wholeheartedly deeming each piece of wood my new favorite. Each one shows me how the tree from which it came is the most beautiful, important, and magical in all the planet. Each piece of wood is my new friend, gifting me its secrets. It has exactly what I need to make my life the way I want it.

It doesn’t matter how many pieces of oak (or elder or willow or other tree) have found their way into my hands, each oaken (elder, willow, or other tree bit) is the new and only path to power and ecstasy.

Within days, another piece of wood catches my fancy.

Whenever I work with a client, I am in love with that individual, eternally fickle, wholeheartedly deeming each client my favorite, the teacher’s pet. Each is the most beautiful, important, and magical being on all the planet. Each is my new friend, gifting me their presence. Serving that client is exactly what I need to transform my spirit into how I want to be.

I am eternally faithful: regardless of how many clients I work with in a given day, or how many folks are in a class, or how many times I’ve worked with a given client before, each time I work with a client, I understand how irreplaceable and essential they are to the universe and to me. (I usually keep class enrollment small, to have time for thorough interactions.)

Do I seduce wood, do I coax it to cooperate with my desire for it to be the most important piece of wood so I can be in union with it? Do artists and shamanic guides practice serial monogamy, devoted to each art piece or student, but only until it’s time to turn their attention to the next art project or client?

Artists and shamans are faithless, committed to the moment and nothing else. No, that’s not true. They’re also committed to crafting the next moment, so that it will be beautiful, so that it will best serve the client. The job of artists and shamans is to craft the next moment. … They are faithful to that job. … It is a prevalent lie that they are faithless. They serve. They serve. They belong completely and unceasingly to their students and the Muse.

I revel in the void of outer space, from which all creation comes. There, I constantly feed the stars. There, I am faithful to the needs of wood, clients, Gods, and self.

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Be a Goddess Training

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beagoddess

I’m going to lead a group
through the training in my book
Be a Goddess!:
a Guide to Celtic Spells and Wisdom
for Self-Healing, Prosperity, and Great Sex.

For details, keep reading.

Be a Goddess! is a down-to-earth training in Celtic shamanism, showing you how to:

* Cast spells for abundance, a happy home, and romance.

* Love your body, be cleansed in spirit, and increase wisdom.

* Enjoy more passion, sensuality, and individuality.

* Use the simple, potent magic of the Faerie folk.

* And get just about anything else you want by using The Spell Itself.

The book is written for independent use, so lots of folks completed this bestseller on their own. But for folks who prefer a more personal approach, I’ll lead a group through the lessons, via group-phone-calls (aka teleseminars). During meetings, you:

* get whatever particular support you need to do the book’s lessons

* have your questions answered

* and otherwise receive pivotal camaraderie and motivation.

Just dial the phone to participate.

Plus, I’m available one-on-one by phone, for up to 45 minutes total, during the course of our lessons, if you have questions, your momentum doing the lessons falters, or you have other concerns.

BaGCertWTReceive the above certificate of completion by email. Your certificate will not have a watermark on it. Fill in your name and the date to take pride in yourself.

Super-special free bonus: an exclusive online forum. Between phone meetings, benefit from a private space where students can receive support from each other, share victories, and ask each other questions. This is solely for students, no “teacher looking over your shoulder.” I will monitor only for unkind remarks; you deserve a safe space.

The group meets every other Sunday by phone, starting April 8, from 4:00 to 5:00 PM EST, for a total of eight meetings. Just dial the phone to participate. Reserve Sunday July 22, same time, for a makeup session, in case I’m unavailable for one of the planned meetings.

Total cost: $250. Your particular carrier may charge you for the calls. Scroll down to enroll: enter your phone number and pay securely with PayPal.


Pls give yr phone number.



Upon receipt of payment, your place is reserved. You receive event phone #, etc., by email. If you need more info, or want to discuss scholarship, trade, or payment plan, call me at 814-337-249O. No refunds.

There are no prerequisites. You simply need the book with you at all meetings.

I probably won’t offer this event again for five years.

This Faerie magic book is considered an irreplaceable classic. Though released in 1998 to a niche genre, present-day sales outstrip those of many recently published mainstream titles. I had no budget to promote this book. I worked eight years writing it because I wanted it to live on long after me, as a step-by-step program that could guide unusual individuals toward profound personal transformation and inner wisdom.

Our process during meetings will be based in my book and, as such, will not be part of Third Road’s oral tradition.

Kitchen Moon

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KitchenMoonBtmNewsltr

If you can’t see the graphic at the top of this post, here’s its text and photo:

You Needn’t Leave Yourself to Find Magic
Diana Magna Mater Is Everpresent

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After glancing down into my sink, I was thrilled by what I saw there, snapped the above photo of it, and wrote the following:

Quarter moon tide does not arrive pounding at my winter door, but sneaks into my kitchen sink, as clever as steam.

Moon tides are everywhere—dark moon tides, whole moon tides, quarter moon tides. That is my safety, solace, and soul: moon tides are everywhere.

You need not leave yourself to find magic. To walk into Fey lands, walk into yourself, just as you are; live there; you can then recognize the entry to Faerie.

You’re a Blessing

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You’re a Blessing, Just as You Are

Meditating in preparation for a Faerie shamanism class I was going to teach in a few minutes, I affirmed three things I’d like to share with you. They’re useful in all areas of life, not just when teaching. For context, I’ll show how they relate to teaching first, then discuss how they affect everything else.
BlessingsSm1) Instead of thinking I should hide my oh-too-human faults, it is so important just to be myself when I teach. if I pretend to be someone not riddled with faults, then the foremost lesson I’m delivering is the pretense of perfection. That is a destructive lesson, indeed!

2) Though I’m known for creating innovative shamanic modalities that radically change people’s lives for the better, what has just as much value to my students is me being comfortable in my own skin. The nature of our presence conveys as much as any of our words or methodologies will. Feeling at home in myself conveys the vital messages of self-acceptance and self-love. Those messages are core to inner transformation, happiness, and success. The three reminders in this post focus on us not trying to be “someone else” in order to be “worthwhile.”

3) In that vein, I need to trust my light. You see, even when people think their lights have been dimmed, I still see them shining brightly. I assume the same must be true of me. So, when teaching, I try to relax and trust that my light shines whether I notice it or not. One of my responsibilities as a shamanic teacher is to affirm the light in all of us. I can only do that job if I’m trusting my own light.

Whatever lesson I have planned, it is driven home if I’m at home in my own skin, trust that my light is shining, and do not hide my faults.

And so it goes in the rest of life: when one forsakes pretenses of perfection, trusts that one’s light is shining, and is at home in oneself, one bestows more blessings than all the words and ceremonies ever could. So mote it be!

BtmNewsltr

What Sort of Witch Are You?

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For some individuals, witchcraft is a journey of finding one’s unique style of magic, own cosmology, and personal philosophy.

This post was on Witches and Pagan in 2016, at http://witchesandpagans.com/sagewoman-blogs/a-faerie-haven.html

Have you seen the popular lists of different types of witches—e.g., traditional witch, Gardnerian witch, Faerie witch, eclectic witch, hedge witch—with precise definitions for each category? These charts help some beginners. Learning you fit a certain style can be validating and reassuring. It also makes some newcomers feel they belong.

But this post is for beginners who find the categories make things really difficult. Everyone else, I’m not naysaying what works for you; this entire post is simply ideas and methods that work for me, in case they’re useful to someone. I don’t want the charts thrown out. They’re great for some people. And with that:

There are individuals whose witchcraft entails a journey of finding one’s unique style of magic, own cosmology, and personal philosophy. Being new to Pagan community and being told there are specific witch types, each with very specific definitions, can box these folks in, lead them to think they won’t fit anywhere in the Pagan community, and ill-legitimize personal self-discoveries that transcend the categories.

What if you come from a traditional witch family, talk to fairies, and enjoy practicing Gardnerian magic occasionally? Sure, that might classify you as an “eclectic witch,” but that term is redundant historically speaking; it was once a given that witches were eclectic, because witches understand the connectivity of all things. To me, the term “eclectic witch” robs me of my heritage. My witchy heritage fuels spells, making them powerful.

As to connectivity, the Old Gods unite me with the enchantment that flows through the entire universe. That current carries me, its sweep making me joyful, as it bears me toward even more joy. But “eclectic witch” implies magic is not in everything around me and thus denies what’s inherent to many folks’ witchcraft.

In the same vein, I see witches as wild creatures, transcending every limit. I’m a child of the Gods. Their infinite powers are mine. Mind you, I’m not suggesting I can successfully cast every spell anyone else can cast. I believe witches can have specialties.

In any case, categorizing keeps some people from developing specialties. These are folks whose process demands they look not at definitions but into their own selves and, despite how scary it might be, journey into seeming formlessness until it becomes recognizable as their special gift—their specialty.
WildCreaturesI love—and use—the different terms for types of witches. They’re great jumping off points, e.g., for connecting with like-minded individuals.

They also can be pointers. But I use the terms the old way: to evoke—lyric speaking to our wild witch hearts and whispering of the undefinable and unlimited—rather than as part of quantitative charts, mapping magic out so exactly as to be … boringly limited for some folks.

I love magic so much it makes me sad to realize charts might crush certain people’s magic.

Also, poor scholarship defines witch types incorrectly. For example, it’s sadly a current given that Gardnerian Wicca bears little resemblance to traditional witchcraft. I lived in a Gardnerian household in England with one of Gerald Gardner’s students and, as a traditional witch, I can tell you people living in that house practiced old-fashioned witchery. Furthermore, I met members of the family tradition that greatly influenced Gerald.

Lack of scholarship also portrays traditional witchcraft as consistently the same. It varied, village to village and family to family.

And many a scholar will say “eclectic witch” makes no historical sense. Global travel is not a modern occurrence. Various ancient cultures shared their rituals constantly.

Are you dismayed by witch categories because they make you feel the magical Art has been divided up like slices of a pie … and you feel like the whole pie? Be the whole enchanted pie.

If you’re a fledging witch who resonates with what I’ve written, I support you not by giving you categories to validate you, but by validating who you already are. Like most of us when we come into Pagan community, you’ve always had Paganism in your heart and life, perhaps without having named it as such. So trust what you already know and build on it. You have the intelligence and insightfulness needed to do so.

Enjoy the names for all the different types of witches, or use none of them. But claim your path as valid.

By “valid,” I’m not saying everything you do currently as a witch is always safe and effective. No one is perfect. Also, some spellcrafting requires substantial training. Get a teacher if you want. But don’t worry about what “type” of witch a prospective teacher is. Choose someone whose spirit calls you and who honors your spirit in turn, whether or not you know how to describe your path. Witches used to work together in all their differences and likenesses, getting along just fine, learning just fine.

I teach. Classes are mostly via group phone calls (aka telesminars): you don’t need a computer or any special technology to attend; just dial the phone. Subscribe to my free newsletter, which gives details about upcoming classes: https://outlawbunny.com/newsletter/

What sort of witch are you? You’re you! So mote it be.

Baba Yaga’s Apprentice

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Baba Yaga’s Apprentice:
A Faerie Tale Ritual

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If ever we needed ways to stay focused and whole, and experience some gentleness, this is the time.

Baba Yaga’s Apprentice is my gentle enchantment that creates focus and wholeness. I believe this magic is all the more powerful and effective for its gentleness.

This storybook is for grown-ups . . . but the sort of adults who remain, or want to remain, childlike at heart.

This book’s format: PDF.
List price: $25
Price: $19.99

BYABar

The tale is my revisioning of Baba Yaga folklore.

As the book’s story proceeds, a ritual simultaneously unfolds for the reader.

Here’s one of the illustrations:SampleILLstrtn

Baba Yaga’s Apprentice is fun, easy reading.

Along with being a Faerie tale and a gentle ritual, this book is also a work of art for you. Trying to evoke the embellishments in old Faerie tale books and add a layer of enchantment to the magical foundation I’d spun with the text, I ornamented every page with my original full color art. Most of the art is my spin on Poland’s folk art.

I have felt immense mojo on the project; I wanted this spell to happen so much.

BYABar2

From the preface:

“The spell is very easy to do. You don’t even have to “do” it. The sheer reading of the Faerie tale to oneself, just for fun, even silently, and enjoying my paintings, is all it takes for the spell to work.”

“The storybook’s magical current helps you:
* Focus on what’s important to you.
* Follow through on it.
* Stay centered in your power and your love.
* Protect your dear heart from being hurt or blocked.
* Feed your witchy soul.

“The ritual also supports you if you are introverted, empathic, exceptionally magical, or sensitive psychically.

“And when you are fearful or nervous, this is a good tale for you.”

The book is 7000 words and 46 pages.

Here’s another sample, a text frame I painted:
SampleBYAPg

This volume was created with my sincerest hope that the gentle love and hope with which the Muse infused the pages will sustain and empower you … over and over.

Available only from the author.

BYABar

Join the Faerie Circus

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feycircusI take my work as a shaman seriously, hold myself to a high standard, and do everything in my power to reach that standard. That doesn’t require pompousness. Fun is important. It adds lightheartedness to the shamanic journey. I teach ecstatic shamanic witchcraft—we have fun in our process. The end is the means.

Writing the ditty below to promote my newsletter was fun. So was making the little painting above, to accompany the ditty. The newsletter helps people, so spreading word about it is a service, and service can be fun.

Come one, come all,
join the Faerie Circus!
This is no movie, no metaphor.
This is the real deal,
this is going somewhere—
get my newsletters:
click here.

The sky’s my big tent,
a star’s my trapeze.
Come swirl through the air with me:
click here now for magic,
confidence, too,
the self love you need,
and other awesome breakthroughs.

Your witchcraft will thrive
more than ever before.
Check out my mailings;
they open the door.

Plus you’ll get freebies
that only go to
my newsletter readers.
Click here—that’s your cue!