My Wonderful Students

My long-term shamanic students are the best people. It’s such a gift to have them as my fellow seekers.

I celebrate them today by introducing you to three of them and the remarkable work they do in their respective fields.

sarah_photoSarah Josey—see above photo—is a Clinical Herbalist, Nutritionist, and Sacred Living instructor. She says she’s “passionate about helping people achieve health through natural means and supporting people on their life path towards overall wellness and happiness.”

Sarah started studying with me before entering her profession. I had the joy of watching this dynamic, young woman grow into her career. I try to empower my students, but it is up to them to take the ball and run with it. Sarah has definitely done that.

She owns an herbal apothecary in Fort Collins, CO, and also spends part of her year in Fairbanks, AK. Check out her work at SarahJosey.com.

I spend as much time as possible in trance because I love it, but I also believe my shamanic classes should create concrete results, improving all aspects of someone’s life. So it’s always a joy to work with someone who’s multifaceted. Kathy Crabbe, who is wrapping up a two-year shamanic training with me, is an artist, illustrator, writer, and soul reader, and lives in Southern California in an adobe style home she and her husband built.

Here’s Kathy:
kathy-crabbe-bio-pickAlong with her impressive list of talents is Kathy’s commitment to using her gifts in service to community.

Kathy blogs at kathycrabbe.com/blog

A spirit portrait I painted of Rommy Driks gives a sense of this writer who has studied with me for eight years:
starfirestargazermergedRommy says of her blog, “I create strange brews of urban myth and faerie tales, while grooving to good music and sipping better tea. Stop by and enjoy a cuppa and a story.”

That’s a modest self-description, considering her writing is truly original, exquisitely crafted, and conveys important ideas. I thoroughly relish her “strange brews.”

Check out Rommy’s work at http://kestrilsrhythmsandgroove.blogspot.com/

I am blessed to be surrounded by exceptional people.

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The Love-Witch: a Two-Month Faerie Ceremony

A two-month Faerie love-in! The unconquerable magics of love, gentleness, compassion, play, pleasure, and beauty will help you
* reach goals your heart longs for,
* make the world a better place,
* and enjoy wonderful self-care.

weebunnyhat1Some Pagans insist a “real witch” is always brooding, hexing, and amoral. Humbug! They might call this event “fluffy bunny Paganism,” but the event’s immense power syncs all the way to the center of the earth and rises all the way to the stars.

The Third Road tradition of witchcraft can be fierce and determined. We also have gentle magics that reach goals just as effectively. This event focuses on that gentle mojo, letting our love, compassion, and playfulness radiate to illuminate our lives and the world.

The world needs your loving light, which my student Jenelle Campion describes as a sweetness that’s invalidated.

This event is for witches who strive to be both wild and gentle, strong and compassionate. I call such a Pagan a “Love-Witch.”

You’ll be drenched in love! The event has four magics that add up big. You receive:

1) Long distance direct spiritual transmissions, three days a week, for two months. You don’t have to do anything for the transmission to work. I do the work for you.

Traditional craft—my magic spinning to support your every cell. The transmission shapes to you: it gives you what your heart needs next, helps you go heart-led directions, and nestles you into the love and bounty within the Great Mother’s heart. For two months!

2) Seven ritual circles of love, via group phone call. Our rites together draw on gentle magics—our loving suppleness, light-heartedness, and spiritual beauty—to make a better world, achieve personal goals, and nurture self-love.

These gentle magics also align us with the enchantments that surround us every moment—that power is Divine Love, the most potent magic of all.

It’s a Faerie Love-In! Our shamanic process will be compassion, play, beauty, and pleasure. I push students when needed, but not in these meetings. I’ll guide with a gentle touch. We can best bring gentleness, compassion, play, and pleasure to the world if we give that to ourselves in our own process. These meetings will model that for you.

weebunnyhat2If you’re the rare heart-led being, you know it’s hard to be an agent of love in a world where vision is often scorned by those who prefer greed and narrow-mindedness, Receive tools to do your work in the world and to take loving care of yourself in the process.

Win as an agent of love:

* Has darkness tried to snuff your bright light? We’ll discuss shining brightly without drawing attack and other protections.

* Learn gentle magics that create immunity to cynics, greedy people, and others who fight Love. Move through the world as a love-witch, without being crushed by attacks or discouragers.

* Give yourself all the love, compassion, and joy you readily give everyone else.

Receive personal attention. During tribe meetings, I’ll intuit lessons and rites that help you go where your heart leads and nestle you in Divine Care.

The group meets via group phone call. Simply dial the phone to participate.

We meet seven Thursdays, from 6:00 to 7:00 PM EST. Meetings are spread over two months’ time. Holiday weeks are among those we skip. Meeting dates:

November 10
November 17
December 1
December 8
December 15
December 29
January 12
Reserve Thursday, January 19,
same time, for a makeup class in case I’m unavailable for one of the planned sessions.

(Direct spiritual transmissions start November 7, a few days before class, to begin our Faerie love-in before we even gather.)

3) Heart-Centering: On weeks without tribe meetings, a quick-to-read email centers you in your gentle witchcraft and heart-goals.

4) You receive a full color digital talisman tailored to your unique spirit. I magically activate the talisman to moor you to your Gods’ love and protection as you work toward your life goals and do Their work. Their powers and love feed yours. These talismans are my original art painted in trance. You receive yours as a JPEG by email. (I retain full copyright of my art. Commercial use of the piece is available at additional cost.) Here is one of the talismans, called “Silly Dragon Hiding.” Its detail is blurred a bit by this site’s download process:
sillydragonsmThe email explains the symbol’s specific powers, and includes instructions to receive the symbol’s blessings almost effortlessly.

Individually, all these services would cost $560. I’m reducing their cost:

Pay securely with PayPal, with two options. Both are big savings:

Option 1) Total cost: $460, with two easy automatic monthly payments of $230. Payments appear on the credit card associated with your PayPal account. This option is available if you have a PayPal account. Use the Subscribe button.




Option 2) Pay all at once by October 20 to save another $80. Total cost: $380. You don’t need a PayPal account. Use the Pay Now button.




Upon payment, your place is reserved, and I email you event phone number, etc. Refunds unavailable. For more info, or to discuss scholarship, partial scholarship, or trade, call 814-337-2490. I do not discuss this work by email.

You might pay long-distance charges to call the event’s number (a U.S. area code), depending on your long-distance plan. Charges would appear on your phone bill.

This two-month process can be used as one of the electives needed before advanced Third Road training.

No experience needed. But adepts are deeply impacted.

My poem “We Are the Old Ones” describes a Love-Witch:

We’re the Old Ones—ancient as forests—born into Gaia again
to continue our work and our joy.

We’re dreamers wanting to make a positive difference
by bringing love—and more love—everywhere
our free spirits wander.

We’re the Fey children of Mother Earth
who believe magic infuses
every aspect of Her being and all Her children.

We know Her gentle magics
are as powerful as flashy, overt magics.
We embrace both.

We know a flower found by the roadside
can be a transformative gift to a friend.

We’re the ones who defend
Gaia’s children from being harmed.

We’re the ones who speak up
to protect the defenseless.

We try to make our thoughts and actions
reflect the Goddess’ love.

We take care of people around us,
both those we know well
and those who pass through our lives.

We might do the above things poorly sometimes,
but they’re central to our lives:
we bring love, gentleness, and compassion to the world.
So mote it be.

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Spirit Doll

SpiritDoll1Sometimes our friends/clients don’t need “help,” even if we have skills capable of creating positive change for those we serve. Sometimes we serve a person best by investing our skill set in honoring them—and their circumstances—exactly as they are.

Here’s an example. I know someone who’s suffered extraordinary difficulties for years. I foolishly wanted to meddle—”save” her. I wanted to give her spiritual healings. I wanted to teach her shamanic exercises to become stronger. I wanted to show her abilities she doesn’t know she has. I wanted to make a protective amulet to ward off negative energy around her. I wanted to, I wanted, I wanted. None of it was what she wanted … or needed.

Mind you, everything I longed to do for her is perfect for many of my clients. And could be perfect for her at another time.

But the following is what I did. I made her a totem. As I chose objects for it, I let go of what I thought was “right” for her. Instead, I selected items to honor and celebrate who she already is.

The totem’s sole purpose (oh my, voice-recognition translated that as “soul purpose”) was to represent how wonderful she is. I completely let go of all other agendas. That included releasing the thought that her experience of my celebration might empower her to make changes I felt could help her with her struggles. She knows best, not me.

So there’s a long bone bead with stars in it, because if anybody has stars in her bones, it’s this woman. The wood is European Elder—sambucus nigra—and is a piece so young that it’s mostly soft, spongy pulp—fragile, as are we all. Its youth also gives it a wondrous sensitivity like my friend’s, and a gentle, subtle, yet dynamic magic that my friend has. The ladybug portrays another aspect of that.

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Three luminescent cobalt beads represent the mysteries she lovingly serves. A bead that is probably tiger’s eye and one that is probably goat horn represent how down-to-earth she is; she modestly infuses sacredness into her daily mundane responsibilities, though they are immense and humble.

A purple bead symbolizes the beauty of her spirit and the beauty she gifts people around her. A leaf indicates her care of Gaia’s children. I made the wool bead on top because … well, she’ll know why. And I had to add something sparkly because she is Fey.

At some point in its creation, this wall-hanging chose to be a doll. (Heh, a wall-doll.) So I spun yarn (which I felted a bit to help it set, since its winding wouldn’t be held tight by a weaving or the like) to shape the body.

Is “totem doll” an actual term? … This totem doll represents her spirit. … The term “spirit doll” is popular nowadays. … I could call it a “poppet,” because that’s a term for a doll used in magic. Not that I expect my friend to do spells with this, unless she wants to, but this doll was used magically in that I blessed it. And to play with words, “poppet” is a traditional term of endearment; making this artifact was an expression of love.

SpiritDoll3Creating the poppet was an unexpected gift to myself: I no longer need to fret about someone I hold dear. Affirming some of this woman’s wonderful attributes reminded me she has many other amazing powers, so needs no rescuer; she has every resource she needs within her, including the ability to ask for help when she requires it.

In case someone reads this post as an either/or proposition: I do not usually choose between helping friends/clients create positive change and honoring them exactly as they are. Most of the time, serving them both ways is beneficial.

Facilitating shifts they want in themselves and in their lives is a more respectful process if I also mirror back to them, in word, visual art, or ritual, their beauty and power—including that which is hidden to most eyes and that which they do not even see themselves.

It feels important to mention this sort of mirroring and affirming of those around us can require as much skill, thoughtfulness, and magic as does helping them make changes. For example, I have the psychic ability to see the beauty and power in people, even if they cannot.

Why is it important to mention the skills involved? Because people with lots of skills for creating change can feel frustrated when they can’t use those abilities for someone they care about. But you can apply your gifts another way—to honoring someone just as they are—and accomplish something vitally important. People need to be respected for who they already are. People need to be fully met right where they are.

Sometimes trying to “help” someone robs them of dignity. If instead, we honor them as they follow whatever path they choose, achieve victories that are important to them (as opposed to victories you think they need to gain), make the mistakes they need to make, and explore the parts of themselves they think vital to explore, we give an invaluable respect. That respect is also known as “love.” So mote it be.

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Spinning Happy Magic

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I’m experiencing excitement and serenity simultaneously, from being so close to publication of my two volume Book of Shadows.

Self-publishing is difficult but gratifying. My sense of accomplishment has me almost dizzy, I’m happily spinning.

Spinning! Heh, once I sent galleys to the kind folks who are proofing them, I worked part-time over the course of a few days to restore my energy. I learned to spin yarn, to celebrate being so close to releasing the project.

SmBanr Spinning! Headlong. I spun and spun. Think of Alice falling down the rabbit hole, headfirst and shouting, “Whheeeeeeee, I love this!” She lands where the Red Queen is actually nice, the rabbit doesn’t run away but frolics alongside her on the weighted end of a drop spindle, and the caterpillar—who spins silk and blessings—teaches her the exact magic she needs.

My gratitude, happiness, and sense of accomplishment about the books flow through my day, twisting along the silk and wool fibers I spin. As is often the case with gratitude, mine turns a celebration about one part of my life—the upcoming books—into a celebration of life itself. I’m a witch who experiences a flow through all things, a flow connecting everything, as the cosmos spins. I twirl within the cosmos’ twirl. The cosmos is happy about my books.

They’re a two volume Third Road Book of Shadows, every page ornamented by my shamanic art. So mote it be!

Once I correct any mistakes the proofers catch, the books are done. Like most authors, I’ll be one of the proofers but needed a few days away from the pages, so I could see them with fresh eyes.

These books are like visits in magical, inspiring landscapes. I’m gratefully spinning my day because soon I get to share something I love dearly—some of my deeply personal otherworldly realms—with readers. I’m grateful for these Fey places that add beauty and enchantment to our lives.

Everything is connected, spinning together like fibers joining on a drop spindle, the value added to my dear reader’s life adds value to mine. We are all one.

Spinning in celebration of the books becomes spinning in celebration of life. Spinning gratitude becomes spinning magic to bless my day.

Doing the writing, art, layout, cover designs, and the enormous self-publishing process is a lot, but I’m always trying to pull off huge things. It works. My ownership of the process, spinning it all together, allowed me to create exactly what I wanted to share with my readers—my fellow seekers, fellow spinners of magic and happiness.

Been too busy with the books to make a webpage about them yet, but today had time to make small versions of the book-covers for you to see. Volume I’s cover is above and here is Volume II’s cover, but neither is as clear and sharp as the actual covers are, or this page would’ve taken forever for you to load:

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Once the set’s released, I want to figure out options for low income folks who can’t afford the set. This makes me happy, adds momentum to my spinning, to the cosmos’ spinning.

This Book of Shadows consists of two full-color PDFs. Current combined page count is 191 pages, but it might end up a bit more or less.

The book set costs $50 but right now presales are $43. (Update: the book set has been released, and is still $43. If you want more info on the books, their official page is up. Go here: https://stardrenched.com/2016/10/01/book-of-shadows/ )

These Faerie books will be available only from their Faerie author … spinning it all together … spinning happiness from my heart to yours. Keep spinning, my fellow seeker.

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Do you like any of these pics?

My upcoming project—a two volume Book of Shadows—shares my journey as a witch, including a few photos of me from my scrapbook.

It’s hard to choose pics. I can’t be objective.

My community helped choose from photos I already posted, which was really useful. Thank you again!

These are 1997 pics of me in ritual garb. Susanne Kaspar—a professional photographer—took the pics. Should I include any in the books? If so, which ones?

I’m not asking your opinion about other people’s possible reactions. I want to know which you personally like, if any.

Each pic has a number above it, so you can tell me by number which you like.

They’ll be crisper and clearer in the book.

Thanks again so much!

(Yup, these pics were taken the same day as the photo on Be a Goddess!‘s back cover.)

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Number 3: Negatives_007Sm
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Number 5:
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Which photos for my book?

My upcoming book shares my journey as a witch, so I’m including a handful of photos of me at different ages. Here are pics from today. I thought photos of me when I’m close to finishing the book would make nice memories for me.

Would you like any of them in the book? Which (Witch?) ones? Would love your input.

I’m not asking your opinion about other people’s possible reactions. I actually want to know which you’d personally enjoy in the book.

At age 66, it’s interesting looking at photos of myself that I’ll release publicly. My young, dewy beauty long gone, all that is left in the photographs is who I am inside, for all to see. And for me to face and embrace.

Examining these pics, I am content. I see in myself an elder shaman, a wild wanderer traveling between atoms, and a loving, mystic fool who still enjoys life. Whew!

Each pic has a number above it, so you can tell me by number which you like.

I think they’ll be crisper and clearer in the book.

Thanks so much for your support!

Number1: July2016FDG1

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Number 3:July2016FDG3

Number 4: July2016FDG4

Number 5: July2016FDG5

Traditional Shamanic Culture and Business

Rosmrta

Did you know ancient Celts had a goddess of marketing? Or that their shamans charged for many of their services, as did ancient Native American shamans? Did you know ancient Mesoamerican merchants traveled to find sacred goods?

Shamanic culture once brought the sacred into commerce, in a way we desperately need today for two reasons:

1) It will allow us fulfilling, loving, profitable work.

2) It can help stop the immense, worldwide suffering caused by callous business practices.

The division of sacred and profane in the marketplace strikes at the core of human rights, Faerie witchery, and happiness.

As a witch, I’m part of a long heritage of magic used as a tool to free people from oppression. As long as the marketplace is driven by profit to the point of callousness, instead of by an ethical focus on being of service, results will remain tragic.

So I developed innovative theories and methodologies that provide a missing piece of witchery—a shamanic approach to the marketplace. I teach it in my new book:

A Sacred Marketplace:
Sell without Selling Out or Burning Out.
Mysticism + Marketing = Sales.

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The book is two pronged in its benefits:

1) Many ethical, loving people have special gifts they want to bring into the marketplace but are stymied because they can’t figure out how to maneuver the insanity of our current business world.

These folks include artists, psychics, coaches, and others in alternative fields. Also included are people whose heartfelt dreams are less obviously special—e.g., you can make cosmetics in a loving way.

A Sacred Marketplace shows good people ethical ways to thrive in business. The book teaches

* easy, powerful, ethical marketing

* my personal philosophy of life, which is shamanic and spells out why it is moral to earn a living doing what we love and how doing so is vital to the well being of all Gaia’s children

* shamanic exercises to help you actually live that philosophy and develop personal traits for career success

2) The other benefit: if these good folks were in business, their sheer presence would help shift our business world into one where people matter more than profit. These loving practitioners would not have to do anything other than be present in the marketplace.

More talented good-hearted people in the world of commerce will—without these individuals even trying to do so—automatically transform the dominant business paradigm for society as a whole, from corporate, uncaring greed to loving concern for the individual.

I’m delighted I was able to create this book’s material. I am proud of my work in a way this society tries to squelch. Be proud of yours. Enter the marketplace with your special gifts and be prosperous. In the process, you’ll make a better life for everyone.

I care about you, so I beg you: do not wait. Great endeavors start when someone says, “I’ll do what I can.” If all you can manage is reading two minutes once a week, and you have no time to analyze what you read or to apply it, that’s a legitimate start. The book is Third Road shamanism, which means you absorb on a gut level, just by reading. Do it. Click here for A Sacred Marketplace: http://www.outlawbunny.com/2015/10/15/a-sacred-marketplace/

Fey Witch

This is excerpted from the two-volume Third Road Book of Shadows, available here: https://stardrenched.com/2016/10/01/book-of-shadows/

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ScrollBarHI am a fey witch. Magic is my heritage and my salvation. I will not be deprived of it. I will remain ever immersed in the magic that flows through the entire cosmos.

This subtle current dances about me all day, even in my sleeping hours, empowering me and making me whole. It heals me, delights me, and celebrates me. It relieves me of my pains, doubts, and flaws. It removes obstacles.

Oppressors deny magic, lest we use its ever available power to live wild and free, with direct access to Deity and the gifts Deity bestows, independent of dour religious institutions and oppressive societal hierarchies.

But magic is real and a Goddess-given right. I would go further to say magic is a living aspect of my Goddess. No one will rob me of my Goddess and Her power. I live in magic.

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In the two-volume Third Road Book of Shadows set, the above prose-poem is ornamented with more detailed art than I could post here if I wanted this webpage to load in less than a decade.

But the graphic at the top of this post is part of the art in question. And I made the little graphic at the side especially for this post, because I love ya!

Did you enjoy the post? Get the book set here, available only from the author: https://stardrenched.com/2016/10/01/book-of-shadows/

Magic Is Sacred

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My beloved witch,

The Goddess blesses your rituals. I wrote/painted the above picture-poem as the third and last meme in my mini-series about the sacredness and beauty of witchcraft.

The previous two memes are here and here.

(All three memes blurred a bit, because I shrunk the files so their webpages would appear quickly for you.)

I call them poems, though they could be viewed as prose. To me, they’re poems or prose-poems, both in that they are lyric and evoke magic.

I believe one of my jobs as a bard is to evoke magic. I’ve not seen that description of a bard in a historical text, but I know in my bones and past life memories that the Gods choose some bards to create ritual aka bardic poems.

My class lectures are sometimes lyric and other times straightahead prose, but on some level they are still my concept of bardic poetry.

Are you a bard who creates ritual? Or were you chosen to do bardic work other than ritual creation? We all are given such different jobs by the Faerie Queen.

I combine words with art to further the experience. Even when I first started teaching shamanism, class handouts sometimes had my calligraphy and artwork, though they were far more primitive than they are now. But I feel that extra effort added blessings.

I make memes like this not just for my site but also as Book of Shadow pages for myself and students (aka handouts). I’m fascinated with painting borders around my words to add magic for Book of Shadow pages. I even had to paint a border for the newsletter button below this post.

… Oh, if you wonder what the newsletter button has to do with Books of Shadows, bear with my following explanation, since at first it may seem to have no relation to the topic:

Ok, to me a Book of Shadows page points to your day and how you can live it magically. In the same vein, I teach oral tradition—which the written word cannot convey—and you only grasp oral tradition when you use its lessons by living magically in your day. So, in the final analysis, your day is your ultimate Book of Shadows, because it is your life that holds the most magic, not any text. Your life is the real ritual, not the words on any page.

And my newsletter is a doorway into that oral tradition, because it announces upcoming classes. So I can think of one of my newsletter buttons as the front cover to a Book of Shadows. So mote it be.

Since I view life as the ritual, it might seem contradictory that I work hard crafting my words and visually ornamenting them. But I want my pages to be really good pointers to the magic available in the world around us, so they can help me—and hopefully other people—see how to live a day magically. I believe that is why Goddess gave me gifts with words and art. Blessed be.

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Lady Olivia Robertson

Interviewed by Francesca De Grandis

Lady Olivia Robertson is one of the pagan leaders I’ve most admired (discussed in my blog Meeting Lady Olivia Robertson: https://stardrenched.com/2013/04/17/meeting-lady-olivia-robertson/ )

My deep love for Olivia led me to interview her, to help share her wonderful message. The event was recorded in my home in the early nineties. However, life intervened; the tape languished for two decades. I’m finally able to share it.

Technical Notes: If anything Olivia says in this post offends you—e.g., it is inaccurate—blame me. Maybe I transcribed the interview incorrectly. I have not finished transcribing the entire recording—thus far, it is 3500 words, even edited. I am posting it in parts as I get them transcribed and edited. There are a few more bits I should have cut, for clarity’s sake or the like, but if I delay posting until I have time for more cutting, there might be another decade’s delay. A fact check is in progress re spelling of names that I could not fact check myself.

Some of the interview is a lovely retrospective and awesome history.
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Part One

Francesca De Grandis: Tell me about your recent travels. You’ve been to several places in the US, to Japan, where else?

Lady Olivia Robertson: Well, it’s very exciting. Now Fellowship of Isis is getting on for 15,000 members in 90 countries, and these people correspond, we have postal courses and, in the end, they want to meet each other. So we have conventions and conferences, and the first one I did in Ireland, naturally, I had our own ceremony in September. And after that, I went to London, where we had a marvelous convention in one of the most beautiful Jacobean houses in England, called Charlton House after Charles I. It was built for Henry, the Prince of Wales, who must have been Pagan, because they have nothing but carvings of nymphs and satyrs…

FDG: Oh, I’ve been there! It’s in London?

LOR: Yes.

FDG: : Oh, it’s beautiful! Even the banisters and along the stairs, aren’t there wonderful carvings?

LOR: And the fireplaces and everywhere, yes! So our convention, which was about our seventh, was held in the library on a sunny day, so we could lie out under the trees in this beautiful garden. Then I took a Virgin Atlantic flight (which I liked very much) and floated over to New Orleans. There we had a very dignified venue at the campus of the University of New Orleans.

I want to emphasize that we have some witches, some Catholics, some Protestants, Buddhists, Hindus—you name the religion, and we have it. We actually had two Catholic priests, one who gives his name and the other doesn’t. But the point is that we accept all religions as feminine. In New Orleans, there was a more cultural and artistic line, but they had some jolly witches who gave us a party afterward.

Olivia in her drawing room. Click to see more clearly. I cannot give photo credit. She sent me this snapshot about six years ago, with a note in its back, "The drawing room, remember?," which was her usual very sweet self.

Olivia in her drawing room. Click to see more clearly. I cannot give photo credit. She sent me this snapshot about six years ago, with a note in its back, “The drawing room, remember?,” which was her usual very sweet self.

Then, I went back to this wonderful Isis Oasis. Now, Isis Oasis is interesting because we’re now a legal religion in the United States through this Temple of Isis. We’re not pretending to call ourselves the “Church of something-or-other” because Isis is 6,000 years old, and Christianity is only 2,000. So I don’t see why we should have to pretend to be a church. And this is a Temple of Isis, where we don’t have “women priests,” we have “priestesses.” We have about 600 priestesses. We have priests as well, of Isis or whatever aspect of the Divine Feminine they wish to represent.

FDG: 600 priestesses, and how many priests?

LOR: I’m not sure, really: I have my figures at home, but the 600 includes priests. We have about 650 ordained people now in the priesthood. I ordained some in New Orleans while I was there—it was lovely—both priests and priestesses. Then I did the same at Isis Oasis. Now, that has been very generously donated by the Reverend Loreon Vigne, Priestess Hierophant of the College of Isis, to her Temple of Isis. So, really, it’s the first Isis land in America. You know, you have all these other religions having land. This 10 acres of land includes a temple, which is small, and a wonderful theater with full colored lights for ritual, which holds about 100 people. She can put up about 60 to 100 people there. There is a wildlife sanctuary for endangered species—lovely ocelots.

FDG: Her sanctuary for endangered species is special to me because, amidst all those animals, are peacocks. They are sacred to me. Loreon lets me make friends with her peacocks.

LOR: Yes, you can. And her sanctuary’s a good thing now, because some animals are dieing out, but she sells them, and some are re-introduced into the wild, whatever is necessary that can be done for them. And it’s a very, very happy retreat center: There are all these places—you can sleep in a pyramid, or sleep here, there, and everywhere. It’s a wonderful place for a convention. We had the famous Luisah Teish, who came, and Mary Greer, who wrote Women of the Golden Dawn. I’m so old —I’m 80 now—that I knew W.B. Yeats and AE and all. When you’re 80, you don’t mind saying it. I can dance and travel, and just do anything I like. I don’t feel any different from when I was young, which is very nice. When I lived in Dublin, we had a house there and we knew Yeats and that whole lot.

In Part Two, Olivia discusses visits with William Butler Yeats.

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